KnobSnob
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Telepathic Instruments

Every control on the unit, explained in plain English.

Front panel

Knobs

Volume

Overall loudness. Turn it up or down to match your headphones, speakers, or recording level.

tip: Keep it around three-quarters for a strong signal into an interface, then fine-tune levels there rather than pushing this to max.

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Sets the master output level feeding the rear audio output, headphones, and USB audio.

Sound / Preset select

This is how you change the basic instrument voice — pads, keys, plucks, and other textures.

tip: Audition sounds while holding a latched chord so you can hear each one in context immediately.

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Scrolls through and selects the Orchid's built-in synth sounds/patches; typically pushes to confirm or enters edit mode.

Filter / Tone

Turn it down to make the sound warmer and darker, up to make it brighter and more present.

tip: Slowly opening this under a sustained chord is the single most expressive move on the instrument — it's your 'wah' and your dynamics in one knob.

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Adjusts the cutoff of the synth's filter, removing or allowing high frequencies to shape brightness.

Resonance

Adds a vocal, squelchy edge right at the point where the Filter knob is set — a little adds character, a lot gets dramatic.

tip: Push resonance up and sweep the Filter for that classic synth 'talking' sound.

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Emphasizes frequencies around the filter's cutoff point, adding a peak that ranges from subtle to whistling.

Attack

Low = the chord hits instantly like a piano. High = it swells in gently like a pad or string section.

tip: A slow attack plus latch turns any sound into a cinematic swell — perfect for intros.

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Sets how quickly a chord reaches full volume after a key is pressed.

Release

Low = the sound stops quickly when you lift off. High = it lingers and overlaps into the next chord.

tip: A longer release lets chords bleed into each other for lush, connected progressions.

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Sets how long a chord takes to fade to silence after the key is released.

Chorus / Movement

Adds shimmer and a wide, swirly quality — makes a flat sound feel bigger and more alive.

tip: Just a touch widens the sound in a mix without making it obviously 'effected.'

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Controls a modulation effect that detunes and thickens the sound to create width and animation.

Reverb / Space

Adds the sense of a room, hall, or endless space around your chords — from dry and close to washed-out and dreamy.

tip: High reverb plus slow attack and long release is the fastest route to an ambient pad.

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Sets the amount of reverberation, placing the sound in a simulated room or ambient space.

Buttons

Keyboard

This is where you play. One finger equals one full chord. Move along the keys to move through chords that all belong together musically.

tip: Because each key is a whole chord, you can 'walk' a progression with one finger — great for sketching song ideas fast.

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The main playing surface: a set of velocity-aware keys where each key triggers a complete chord rather than a single note, based on the current key/root setting.

Chord-type modifiers

Hold one of these while you press a key to change the mood of the chord — brighter, darker, jazzier, more tense — without changing which key you're pressing.

tip: Try holding a seventh or sus modifier through a whole progression for an instant vintage-soul or dream-pop feel.

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Function buttons (and shifted-key labels) that reharmonize the played chord — switching between qualities like minor, major seventh, dominant seventh, suspended, and added-note variations.

Shift / Function

Hold this to unlock the 'hidden' second layer of the instrument — it turns the keyboard into a menu for picking your key, your sound, and other options.

tip: When something on the keyboard isn't behaving like a note, you're probably still holding or latched into a Shift mode — tap it again to get back to playing.

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A secondary-function button that reassigns the keys and other controls to their printed alternate roles, such as choosing key, voicing, sound, or settings.

Latch / Hold

Press this and your chord keeps ringing after you take your finger off, so you have both hands free to twist knobs or grab a bassline.

tip: Latch a drone chord, then slowly sweep the Filter and Reverb for evolving pads with no hands on the keys.

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Sustains the currently played chord indefinitely after the key is released, until a new chord is played or latch is turned off.

Strum / Arp

Instead of all the chord notes hitting at once, they roll out like a strum or bounce along like a picked pattern, adding movement.

tip: A gentle strum on slow pads sounds like a harp; a faster arp turns the same chord into a rhythmic sequence.

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Engages rhythmic playback of chord notes — either strummed (notes spread quickly like a guitar) or arpeggiated (notes played one at a time in a pattern).

Octave Up / Down

Moves everything higher or lower without changing the chords themselves — go low for bass-heavy stabs, high for sparkly textures.

tip: Drop an octave for chunky Rhodes-style comping, or jump up for bell-like top-end layers.

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Shifts the pitch range of the chords up or down by whole octaves.

Save / Preset

Found a sound you love? This lets you keep it and get it back later instead of dialing it in again.

tip: Save variations of the same patch at different filter/reverb settings so you have 'verse' and 'chorus' versions ready.

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Stores and recalls sounds and settings, letting you keep favorite combinations of sound, effects, and configuration.

Display & indicators

Display

Your window into what the Orchid is doing — which sound and key you're in, and what any button you're holding will do.

tip: Glance here after pressing Shift to confirm you're in the mode you intend before playing.

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A small screen that shows the current sound, key, chord, and menu/settings information.

Side panels

Switches & toggles

Power switch

The on/off control — flip it to power up or shut down.

tip: Save your favorite settings before powering off so you don't lose an in-progress sound.

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Turns the unit on and off.

Jacks & connectors

Audio output

This is where the sound comes out — plug in headphones or a cable to your speakers/interface here.

tip: If it's silent, check this jack and the Volume knob first before assuming anything's wrong.

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The main line/headphone output jack carrying the stereo mix to headphones, an amp, mixer, or audio interface.

USB-C

One cable for power and for connecting to your computer or DAW — power it from a charger, laptop, or battery pack.

tip: A USB battery pack makes the Orchid fully portable for couch songwriting or on-stage use.

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Provides power and carries USB MIDI (and, depending on firmware, USB audio) to and from a computer or phone.

MIDI

Lets the Orchid play other synths with its chords, or lets another keyboard/computer play the Orchid.

tip: Route the Orchid's chords to a beefier synth to get its easy chord-playing with a totally different sound.

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MIDI connection (TRS mini-jack style) to send the Orchid's chord notes to external gear or receive note/control data.