Every control on the unit, explained in plain English.
Front panel
Knobs
Master Volume knob
This is the main volume for everything. Turn it up to get louder, down to get quieter.
tip: Always start it near minimum when powering on, then bring it up while playing so you don't get a startling blast. If you only want sound from an external MIDI device, set this to minimum.
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Controls the overall output level of the entire instrument (speaker, line out, and headphones).
RHYTHM Tempo knob
Speeds up or slows down the drum beat.
tip: When learning a new song, start slow (around 9 o'clock) and increase the tempo as you get comfortable.
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Adjusts the speed (tempo) of the rhythm pattern.
RHYTHM Volume knob
How loud the drums are relative to everything else.
tip: Turn it all the way down to silence drums while still playing chords and strumplate; nudge it up gradually to 'fade in' the beat during a song.
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Adjusts the volume of the rhythm (drum) sounds. In keyboard mode it controls the volume of both rhythm and drum-pad sounds.
STRUMPLATE Sustain knob
Controls how long each strummed note keeps sounding — low for short and plucky, high for long and lingering.
tip: Max sustain gives a lush, harp-like wash. This knob also controls the MIDI Decay/Release amount when that MIDI feature is switched on.
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Adjusts how long strumplate notes ring out after you stop touching. Affects both the main and sub voices together; they cannot be set separately.
STRUMPLATE Main Volume knob
How loud the primary strum sound is. In keyboard mode this also sets your keyboard volume.
tip: If you want to hear only the sub voice, turn this all the way down. Around 3 o'clock is a good general setting.
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Sets the volume of the strumplate's main voice.
STRUMPLATE Sub Volume knob
Blends in a second, harmonizing layer under your main sound. Turn it up to make the sound fuller and more lush.
tip: Start at minimum, then slowly raise it to taste — as you add sub voice, the sound 'gets gorgeous' and more orchestral, per the manual.
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Sets the volume of the strumplate's supporting sub voice, which is automatically paired with the main voice.
CHORD Volume knob
How loud the automatic backing chords and bass line are.
tip: Great for a 'fade-in' intro: leave drums playing, then slowly turn this up to bring the chords and bass in gradually.
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Adjusts the volume of the chord and bass accompaniment sounds. Disabled in keyboard mode.
Display & indicators
Speaker
The instrument's own speaker, so you can play without plugging into anything.
tip: On low batteries the speaker can distort or cut out at high volume — turn Master Volume down, or use the AC adaptor or an external speaker for loud, stable sound.
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The built-in 10 cm (4 inch) loudspeaker, driven by a 4.3W output.
Other
Strumplate
This is the strip you strum with your finger to actually make music — like the strings of a harp, but it always plays the right notes for your chosen chord.
tip: Three techniques: slide = strummed chord, tap = single note (repeat for arpeggios), touch-and-hold = a continuous held note. Notes are arranged starting from F# up to the F of the next octave, then higher notes wrap to a lower octave.
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A four-octave touch-sensitive plate that plays the notes of the currently selected chord. Slide, tap, or hold to trigger sound. In keyboard mode it becomes a set of drum pads (bass drum, snare, toms, hi-hats, cymbals).
Instant OFF plate
Tap this to instantly silence whatever's ringing — your emergency 'stop' button for held or sustained sounds.
tip: It won't stop rhythm sounds if rhythm sync is off; set the Rhythm button to 'Sync Start' first. In keyboard mode, tapping it makes a hand-clap sound instead.
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A small pad at the top of the strumplate that immediately stops sounding notes. In keyboard mode it triggers the hand claps drum sound.
Side panels
Switches & toggles
SPEAKER (ON/OFF) switch
Lets you turn off the built-in speaker when you're running the sound to an external system.
tip: Set to ON to hear both the internal speaker and your external speaker at once; OFF to route sound only externally. Note: this switch has no effect if Master Volume is at minimum for MIDI-only use.
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Enables or disables the internal speaker when an external device is connected to LINE OUT.
UPDATE/PLAY switch
A service switch you should never touch — just leave it on PLAY.
tip: If the instrument behaves strangely, confirm this switch is set to PLAY.
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A factory-maintenance switch. Must stay in the 'PLAY' position for normal use.
Jacks & connectors
DC 12V/1A jack
Where you plug in the wall power supply. If both the adaptor and batteries are present, it uses the adaptor.
tip: Use the adaptor for loud, stable sound and to avoid draining batteries during long sessions or gigs.
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Accepts the optional AC adaptor (AD1-1210A or AD3-1210A). Power from the adaptor takes priority over batteries.
LINE OUT (MONO) jack
The output for connecting to a bigger speaker or PA system, using a standard mono guitar-style cable.
tip: Plugging into LINE OUT does NOT mute the built-in speaker automatically — flip the SPEAKER switch to OFF if you don't want both.
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A 1/4-inch mono output for sending audio to a powered speaker or mixer.
PHONES jack
Plug in headphones here for private practice.
tip: Connecting headphones mutes the built-in speaker but NOT the LINE OUT. For headphones-only sound, unplug anything from LINE OUT.
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A 1/8-inch (3.5mm) stereo headphone output.
MIDI OUT port
Lets the Omnichord control other electronic instruments or record into a computer — it sends out what you play so another sound source or a DAW can respond.
tip: Set the receiving device's MIDI channels to match, and choose one of the four MIDI transmit presets on the Omnichord to control what gets sent (see the MIDI setup at power-on).
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A 5-pin DIN MIDI output that transmits note, control, and clock data to external MIDI gear on channels 1–4 and 10.
USB port
Not for everyday use — it's there for servicing, not for connecting to your computer.
tip: Ignore this in normal playing; MIDI OUT is the connection you'll use for external gear.
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A port reserved for factory maintenance.
Other
Strap button mounting holes
Where you screw on strap buttons to hang the instrument from a guitar strap and play standing up.
tip: Only use the dedicated OSB-108 buttons and a PH2 screwdriver; don't overtighten or use generic strap buttons, as that can damage the holes.
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Threaded holes for installing the optional OSB-108 strap buttons so you can attach a guitar strap.
Battery box
The battery compartment for cordless playing — takes 8 AA cells.
tip: If you use rechargeable (Ni-MH) batteries, set the battery-level indicator to Ni-MH mode (hold Chord Hold + Power at startup) so the meter reads correctly; switch it back for alkalines (hold Chord Manual/Auto + Power).
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Holds eight AA batteries. Alkaline recommended; rechargeable Ni-MH usable. Gives about 8 hours of continuous operation.
What it is
A modern revival of Suzuki's classic Omnichord, an electronic instrument with a touch strumplate, 108 chords, and built-in auto-accompaniment rhythms.
The Suzuki Omnichord OM-108 is a modern reissue of the classic electronic autoharp that Suzuki first created in 1981. It's an electronic musical instrument built around one signature idea: you pick a chord by pressing a button, and then you strum a touch-sensitive plate (the 'strumplate') to actually play that chord — the instrument automatically arranges the right notes across four octaves so you always sound in tune. On top of that, it has 10 built-in drum rhythms, automatic chord-and-bass accompaniment, 10 selectable instrument voices, and a built-in speaker, so one person can sound like a whole band.
Sonically, the OM-108 has a distinctive, slightly dreamy, retro-electronic character. Its flagship 'Mellow Pulse' voice recreates the analog sound of the beloved 1980s OM-84, and there's even a 'Classic Mode' that swaps in the OM-84's vintage drum sounds. Other voices imitate harp, celeste, piano, guitar, organ, vibraphone, banjo, and FM electric piano. Each voice is actually two layered sounds (a main voice and a supporting 'sub' voice) that you can blend to taste.
It's designed to be genuinely easy and fun: no music theory required, portable (runs on 8 AA batteries or an optional AC adaptor), and you can hang it from a guitar strap. It also has a keyboard mode that turns the chord buttons into a small playable keyboard and drum pads, plus a MIDI OUT for driving other gear. It's ideal for songwriters, buskers, hobbyists, and anyone who wants to strum chords like a harp without learning an instrument the hard way.
First session: get a sound out of it
- 01Set the [Master Volume] knob to its lowest position by turning it fully counterclockwise (this prevents a sudden loud burst).
- 02Press the [Power] button; the Power LED lights up. Important: do NOT touch the strumplate or Instant OFF plate while it powers on — those touch sensors calibrate themselves at startup.
- 03If you're using headphones, a powered speaker, or a mixer, connect them now (see the side panel). Otherwise the built-in speaker works on its own.
- 04Turn up the [STRUMPLATE Main Volume] knob to about the 3 o'clock position so the strumplate can actually make sound.
- 05Press any chord button (for example, the C-MAJOR button). While sliding your finger up and down the strumplate, slowly turn the [Master Volume] knob clockwise until you reach a comfortable level.
- 06Try the three touch styles on the strumplate: slide for a harp-like strum, tap for single notes (tap repeatedly for arpeggios), and touch-and-hold for a sustained sound.
- 07To silence a ringing chord, tap the Instant OFF plate (the small pad at the top of the strumplate area).
- 08To add drums: turn up the [RHYTHM Volume] knob, press a [PATTERN] button to pick a beat, then press a chord button to start it.
How the sound flows
Questions owners actually ask
Why is no sound coming out even though I pressed a chord?+
Two things are usually to blame. First, make sure the [Master Volume] knob is turned up. Second — and this trips up almost everyone — you must also turn up the [STRUMPLATE Main Volume] knob (around 3 o'clock), because that's the specific volume for the strummed sound. If you're only hearing chords/bass but nothing when you strum, the strumplate volumes are down.
A chord keeps ringing forever and won't stop. How do I silence it?+
Tap the Instant OFF plate at the top of the strumplate to instantly stop the sound. If chords keep sustaining every time, the Chord Hold function is switched on — press the [Chord Hold] button to turn it off so chords stop when you release the button.
The strumplate and Instant OFF plate stopped responding. What happened?+
You probably touched one of the plates while turning the unit on. Those touch sensors calibrate themselves at startup, so contact during power-on throws them off. Turn the power off, then back on without touching either plate, and they'll work normally again.
How do I get that classic vintage 1980s Omnichord sound?+
Select the 'omni 1' or 'omni 2' voice — these recreate the analog Mellow Pulse and Tremolo Pulse sounds of the original OM-84. For the vintage drum sounds too, switch to Classic Mode: with the unit off, hold the [PATTERN swing/waltz] button and press Power; release when that LED flashes. To go back to modern OM-108 drums, hold [PATTERN country/bossanova] and press Power.
Can I change the key of a song to match my singing voice without learning new chords?+
Yes — use the Transpose feature. Turn on the KEYBOARD button, then hold the [T] button and tap the up or down arrows to shift the pitch in half-steps, up to 6 either way. The VOICE LEDs show how far you've shifted. Turn KEYBOARD off when done. Note that this shifts chords and strumplate but not keyboard-mode melodies.
Why did the instrument turn itself off?+
The auto power off feature shuts it down after 30 minutes with no knob or button activity. You can disable it: with the unit off, hold the [PATTERN rock 2/hip hop] button and press Power (release when the LED flashes). To re-enable it, hold [PATTERN rock 1/disco] and press Power.
My sound is quiet, distorted, or noisy — is something broken?+
Usually it's the batteries. Low or rechargeable (Ni-MH) batteries can make the sound quiet or distorted; replace them with fresh alkalines or use the AC adaptor. Because the OM-108 uses lots of analog circuitry, some background noise is normal — to minimize it, turn the [Master Volume] down a bit and turn the STRUMPLATE, RHYTHM, and CHORD volume knobs up instead.
How do I set up a one-person-band with automatic chords, bass, and drums?+
Pick a voice with the VOICE buttons and a beat with the PATTERN buttons, set [Chord Manual/Auto] to Auto, [Chord Hold] on, and [Rhythm Start/Sync Start] to Sync Start. Turn up the RHYTHM and CHORD volumes. Now when you press a chord button, the drums, bass, and chords all play together automatically in time — and you can strum melodies on top with the strumplate. Tap the Instant OFF plate to stop.
The official manual, for when you want the source.
Open in new tab ↗Ask anything about the Suzuki Omnichord OM-108 — “how do I sync it to my DAW?”, “why is there no sound?”, “what does the weird button combo do?” — and the AI answers from the official manual.