KnobSnob
Suzuki

Omnichord OM-108

+ add to my library — it's free

Every control on the unit, explained in plain English.

Front panel

Knobs

Master Volume knob

This is the main volume for everything. Turn it up to get louder, down to get quieter.

tip: Always start it near minimum when powering on, then bring it up while playing so you don't get a startling blast. If you only want sound from an external MIDI device, set this to minimum.

show text from manual

Controls the overall output level of the entire instrument (speaker, line out, and headphones).

RHYTHM Tempo knob

Speeds up or slows down the drum beat.

tip: When learning a new song, start slow (around 9 o'clock) and increase the tempo as you get comfortable.

show text from manual

Adjusts the speed (tempo) of the rhythm pattern.

RHYTHM Volume knob

How loud the drums are relative to everything else.

tip: Turn it all the way down to silence drums while still playing chords and strumplate; nudge it up gradually to 'fade in' the beat during a song.

show text from manual

Adjusts the volume of the rhythm (drum) sounds. In keyboard mode it controls the volume of both rhythm and drum-pad sounds.

STRUMPLATE Sustain knob

Controls how long each strummed note keeps sounding — low for short and plucky, high for long and lingering.

tip: Max sustain gives a lush, harp-like wash. This knob also controls the MIDI Decay/Release amount when that MIDI feature is switched on.

show text from manual

Adjusts how long strumplate notes ring out after you stop touching. Affects both the main and sub voices together; they cannot be set separately.

STRUMPLATE Main Volume knob

How loud the primary strum sound is. In keyboard mode this also sets your keyboard volume.

tip: If you want to hear only the sub voice, turn this all the way down. Around 3 o'clock is a good general setting.

show text from manual

Sets the volume of the strumplate's main voice.

STRUMPLATE Sub Volume knob

Blends in a second, harmonizing layer under your main sound. Turn it up to make the sound fuller and more lush.

tip: Start at minimum, then slowly raise it to taste — as you add sub voice, the sound 'gets gorgeous' and more orchestral, per the manual.

show text from manual

Sets the volume of the strumplate's supporting sub voice, which is automatically paired with the main voice.

CHORD Volume knob

How loud the automatic backing chords and bass line are.

tip: Great for a 'fade-in' intro: leave drums playing, then slowly turn this up to bring the chords and bass in gradually.

show text from manual

Adjusts the volume of the chord and bass accompaniment sounds. Disabled in keyboard mode.

Buttons

Power button

Your on/off switch. A quick press powers up; hold it about two seconds to shut down.

tip: When on batteries, watch the LED: bright means good charge, dim means low, and flashing means replace the batteries very soon.

show text from manual

Turns the unit on and off. Press to turn on; press and hold for two seconds to turn off. When running on batteries, the Power LED doubles as a battery level indicator.

PATTERN buttons (yellow shift button + five selector buttons)

Picks your backing drum beat. Tap the yellow button to flip between the two banks of five styles, then press one of the five buttons to choose a groove.

tip: If you change patterns while a rhythm is already playing, the new one waits and switches at the start of the next bar so it stays in time.

show text from manual

Selects one of 10 rhythm patterns. The left yellow button switches between the upper and lower row of five patterns; the five right-hand buttons choose the pattern. Patterns are: rock 1, rock 2, slow rock, country, swing, disco, hip hop, funk, bossanova, waltz.

VOICE buttons (yellow shift button + five selector buttons)

Picks the instrument sound your strumplate plays — harp, piano, organ, banjo and so on. Tap the yellow button to switch banks, then pick one of the five.

tip: omni 1 and omni 2 recreate the vintage OM-84 sound. Try 'vibes' and 'banjo' by tapping the strumplate with several fingers rather than sliding — the manual specifically recommends that for those voices.

show text from manual

Selects one of 10 strumplate voices. The left yellow button switches between upper and lower rows; the five right-hand buttons choose the voice. Voices are: omni 1, omni 2, harp, celeste, A. piano, guitar, FM piano, organ, vibes, banjo.

KEYBOARD (ON) button

Flips the instrument between its normal 'strum chords' mode and a mode where the chord buttons act like piano keys you can play a melody on.

tip: Place the supplied keyboard overlay on the chord buttons so you can see the note layout. This button is also the doorway to the tuning and transpose settings.

show text from manual

Enables or disables keyboard mode. When its LED is lit, the chord buttons become a playable melodic keyboard and the plates become drum pads. It's also the button you hold-and-exit for setting Master Tune, Transpose, and Octave Shift.

Chord buttons (38 buttons in MAJOR / MINOR / 7th rows)

These are how you choose which chord you'll strum. One button gives a basic chord; pressing two or three together gives fancier chords. Roots available are Db, Ab, Eb, Bb, F, C, G, D, A, E, B, F#.

tip: Key combos: Major = MAJOR button; minor = MINOR; 7th = 7th; Major7 = MAJOR+7th; minor7 = MINOR+7th; augmented = MAJOR+MINOR+7th; diminished = MAJOR+MINOR; sus4 = MAJOR + the 7th button one to the left; add9 = MAJOR + the MINOR button one to the left. Note: chords are triads, so some fifths are omitted in 7th, Maj7, min7, and dim chords.

show text from manual

Selects chords. Pressing combinations of the three rows (MAJOR, MINOR, 7th) produces 108 chords across 12 roots. Also includes the special [T] (Transpose) and [P] (Pitch/tuning) buttons plus up/down arrows at the left. In keyboard mode these become a playable keyboard/drum set.

Chord Manual/Auto button

Decides whether the instrument plays the backing chords and bass line for you (Auto) or leaves that to your strumming (Manual).

tip: Set to Auto for the fullest one-person-band sound; set to Manual when you want free, out-of-tempo strumming with no automatic backing.

show text from manual

Enables or disables automatic chord/bass playback. Manual = no auto accompaniment; Auto = chords and bass play automatically in time with the selected rhythm. Disabled in keyboard mode.

Chord Hold button

When on, a chord keeps ringing even after you lift your finger, so you can strum freely with both hands. When off, the chord stops the moment you release the button.

tip: If a chord seems 'stuck' and won't stop, this is usually why — tap the Instant OFF plate or press this button to release it.

show text from manual

Enables or disables the chord hold function. LED on = the last chord (and its auto chord/bass) keeps sounding after you release the button; LED off = it stops when you let go. Disabled in keyboard mode.

Rhythm Start/Sync Start button

Chooses whether the drum beat runs immediately, or holds until you hit your first chord so it starts perfectly with you.

tip: Use 'Start' to create a drum-only intro before your chords come in. Note: the Instant OFF plate won't stop sounds while 'Start' is selected — switch to 'Sync Start' first, then tap it to stop.

show text from manual

Switches rhythm behavior between Start (rhythm plays continuously right away) and Sync Start (rhythm waits and begins the moment you play a chord). The 'Sync Start' option is not available in keyboard mode.

[T] Transpose button

Shifts everything you strum up or down in pitch without you having to change which chord buttons you press — perfect for matching a song to your singing voice.

tip: To set it: turn on KEYBOARD, hold [T] and tap the up/down arrows (the VOICE LEDs show the amount). Press [T] alone to check the current setting; hold [T] and press both arrows together to reset to 0. Turn KEYBOARD off to finish.

show text from manual

Used with the up/down arrow buttons (in keyboard mode) to transpose the pitch of chords and strumplate in half-steps, from -6 to +6 (factory setting 0). Does not affect keyboard-mode melodies.

[P] Pitch / Master Tune button

Fine-tunes the whole instrument's pitch so it matches other musicians, instruments, or backing tracks that aren't at standard tuning.

tip: To set it: turn on KEYBOARD, hold [P] and tap the arrows. Press [P] alone to check the setting; hold [P] and press both arrows together to reset to 440Hz. Turn KEYBOARD off to finish.

show text from manual

Used with the up/down arrows (in keyboard mode) to adjust master tuning in 1 Hz steps, from -6 (434Hz) to +6 (446Hz), with 0 = 440Hz. A reference tone sounds while adjusting and the PATTERN LEDs show the value.

Up / Down arrow buttons

In keyboard mode, press up to play an octave higher or down to play lower. They also serve as the '+/-' keys when you're setting tuning or transpose.

tip: Press both arrows together to reset the octave to Normal. There are three steps total: one octave down, normal, one octave up.

show text from manual

In keyboard mode, these shift the keyboard's octave (Down / Normal / Up; factory Normal). They're also used together with [T] and [P] to set transpose and tuning values.

Display & indicators

Speaker

The instrument's own speaker, so you can play without plugging into anything.

tip: On low batteries the speaker can distort or cut out at high volume — turn Master Volume down, or use the AC adaptor or an external speaker for loud, stable sound.

show text from manual

The built-in 10 cm (4 inch) loudspeaker, driven by a 4.3W output.

Other

Strumplate

This is the strip you strum with your finger to actually make music — like the strings of a harp, but it always plays the right notes for your chosen chord.

tip: Three techniques: slide = strummed chord, tap = single note (repeat for arpeggios), touch-and-hold = a continuous held note. Notes are arranged starting from F# up to the F of the next octave, then higher notes wrap to a lower octave.

show text from manual

A four-octave touch-sensitive plate that plays the notes of the currently selected chord. Slide, tap, or hold to trigger sound. In keyboard mode it becomes a set of drum pads (bass drum, snare, toms, hi-hats, cymbals).

Instant OFF plate

Tap this to instantly silence whatever's ringing — your emergency 'stop' button for held or sustained sounds.

tip: It won't stop rhythm sounds if rhythm sync is off; set the Rhythm button to 'Sync Start' first. In keyboard mode, tapping it makes a hand-clap sound instead.

show text from manual

A small pad at the top of the strumplate that immediately stops sounding notes. In keyboard mode it triggers the hand claps drum sound.

Side panels

Switches & toggles

SPEAKER (ON/OFF) switch

Lets you turn off the built-in speaker when you're running the sound to an external system.

tip: Set to ON to hear both the internal speaker and your external speaker at once; OFF to route sound only externally. Note: this switch has no effect if Master Volume is at minimum for MIDI-only use.

show text from manual

Enables or disables the internal speaker when an external device is connected to LINE OUT.

UPDATE/PLAY switch

A service switch you should never touch — just leave it on PLAY.

tip: If the instrument behaves strangely, confirm this switch is set to PLAY.

show text from manual

A factory-maintenance switch. Must stay in the 'PLAY' position for normal use.

Jacks & connectors

DC 12V/1A jack

Where you plug in the wall power supply. If both the adaptor and batteries are present, it uses the adaptor.

tip: Use the adaptor for loud, stable sound and to avoid draining batteries during long sessions or gigs.

show text from manual

Accepts the optional AC adaptor (AD1-1210A or AD3-1210A). Power from the adaptor takes priority over batteries.

LINE OUT (MONO) jack

The output for connecting to a bigger speaker or PA system, using a standard mono guitar-style cable.

tip: Plugging into LINE OUT does NOT mute the built-in speaker automatically — flip the SPEAKER switch to OFF if you don't want both.

show text from manual

A 1/4-inch mono output for sending audio to a powered speaker or mixer.

PHONES jack

Plug in headphones here for private practice.

tip: Connecting headphones mutes the built-in speaker but NOT the LINE OUT. For headphones-only sound, unplug anything from LINE OUT.

show text from manual

A 1/8-inch (3.5mm) stereo headphone output.

MIDI OUT port

Lets the Omnichord control other electronic instruments or record into a computer — it sends out what you play so another sound source or a DAW can respond.

tip: Set the receiving device's MIDI channels to match, and choose one of the four MIDI transmit presets on the Omnichord to control what gets sent (see the MIDI setup at power-on).

show text from manual

A 5-pin DIN MIDI output that transmits note, control, and clock data to external MIDI gear on channels 1–4 and 10.

USB port

Not for everyday use — it's there for servicing, not for connecting to your computer.

tip: Ignore this in normal playing; MIDI OUT is the connection you'll use for external gear.

show text from manual

A port reserved for factory maintenance.

Other

Strap button mounting holes

Where you screw on strap buttons to hang the instrument from a guitar strap and play standing up.

tip: Only use the dedicated OSB-108 buttons and a PH2 screwdriver; don't overtighten or use generic strap buttons, as that can damage the holes.

show text from manual

Threaded holes for installing the optional OSB-108 strap buttons so you can attach a guitar strap.

Battery box

The battery compartment for cordless playing — takes 8 AA cells.

tip: If you use rechargeable (Ni-MH) batteries, set the battery-level indicator to Ni-MH mode (hold Chord Hold + Power at startup) so the meter reads correctly; switch it back for alkalines (hold Chord Manual/Auto + Power).

show text from manual

Holds eight AA batteries. Alkaline recommended; rechargeable Ni-MH usable. Gives about 8 hours of continuous operation.