Every control on the unit, explained in plain English.
Front panel
Knobs
Headphone Volume 1–4
Each guest gets their own headphone loudness knob so you can dial in a comfortable level for everyone individually.
tip: As the host, always use output 1 (or the front jack) — only that output lets you hear the solo and mute buttons working.
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Four independent knobs setting the level of each of the four rear headphone outputs. Knob 1 also controls the front 3.5mm headphone jack.
Monitor Volume
The volume for speakers plugged into the back.
tip: You can bypass this knob entirely (Settings > Advanced > Audio > Operations > Disable Level Knob) to send a fixed line level to a recorder or broadcast gear so it can't be accidentally turned down.
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Single knob controlling the level sent to the two rear balanced monitor (speaker) outputs.
Sliders & faders
Channel 1–4 Faders (Microphone)
Slide up to make that person louder in the show, slide down to make them quieter. Pushing to the fifth line from the top is 'unity' — a neutral, safe starting level.
tip: Set your gain/level on the touchscreen first, then use the fader only for live mix balancing. In default recording mode fader moves aren't recorded, so you can fix balance later.
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Four vertical volume sliders, one per XLR microphone channel, controlling how loud each mic sits in the main mix.
USB Channel Fader
This is your computer's volume in the mix — game audio, a Spotify track, or an online caller all come in here.
tip: When recording into a DAW, mute the DAW's track outputs but keep this fader down until playback to avoid feedback loops.
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Controls the level of audio coming in from a connected computer over USB, including music, sound bites, and remote guests via Zoom/Skype/Discord.
Bluetooth Channel Fader
Volume for anything beamed in wirelessly — a phone call, a music app, or a remote guest on a Bluetooth-connected device.
tip: Max out the volume on the connected device and use this fader (about halfway to start) for control, rather than the device's own volume.
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Sets the level of audio arriving wirelessly over Bluetooth from a paired phone, tablet, or computer.
Smartphone Channel Fader
Volume for a phone plugged in with a cable — great for taking a caller live on the show without echo.
tip: Turn the phone's own volume to maximum before plugging in, then ride this fader for level. You must use a TRRS cable, not a plain TRS one.
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Controls the level of a phone or device connected via the rear 3.5mm TRRS jack, with automatic mix-minus so the caller doesn't hear themselves.
Sound Pads Channel Fader
Master volume for all your jingles, stings, and sound effects. Push it to the fifth line from the top before triggering pads.
tip: If you tap a pad and hear nothing, this fader is the first thing to check — it needs to be up for pads to be audible.
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Sets the overall playback level of the eight sound pads in the mix.
Display & indicators
Touchscreen Display
The brain of the unit — everything you can't do with a knob happens here by tapping.
tip: Turn on 'Broadcast Meters Mode' (in advanced settings) to see exact dBFS peak markings if you want precise level readings.
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Colour touchscreen that shows level meters, the SD card status/time remaining, and all menus for channel, effects, sound pad, and system settings.
Jacks & connectors
Front Headphone Output (3.5mm)
A convenient headphone plug on the front for the host, using standard mini-jack headphones.
tip: Because it mirrors output 1, this is the correct place for the host to plug in — it's the only output that lets you hear solo/mute functions.
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A 3.5mm headphone jack on the front that shares the same feed and volume knob as rear Headphone Output 1.
Side panels
Jacks & connectors
Power (DC) Input
Where the power supply plugs in; it twists to lock so it can't be yanked out mid-show.
tip: With the optional DC-USB1 and a USB power bank you can run the whole unit off battery and record anywhere with no wall socket.
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Locking DC input for the included power adaptor.
XLR Inputs 1–4
Plug your microphones in here — one per numbered channel. USB mics won't work; it has to be an XLR mic.
tip: Dynamic mics like the PodMic need noticeably more gain than condensers like the NT1 — expect to set the level higher for them.
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Four balanced XLR microphone inputs feeding mic channels 1–4, each capable of supplying 48V phantom power.
Smartphone Input (3.5mm TRRS)
Where you plug a phone in by cable to bring a caller onto the show without echo.
tip: Must be a TRRS-to-TRRS cable (a normal TRS cable won't carry both directions). For Lightning/USB-C phones you'll need a certified headphone adaptor. A -6dB pad is available in settings if the caller hears distortion.
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A 3.5mm TRRS jack for connecting a phone for two-way audio on the smartphone channel, with automatic mix-minus.
Headphone Outputs 1–4 (1/4-inch)
One headphone socket for you and each in-room guest, so everyone can hear the show.
tip: These are large 1/4-inch jacks, so you'll need 1/4-inch headphones or an adaptor like the HJA-4. For high-impedance (250–600 ohm) headphones, turn on 'Boost Headphone Volume' in settings.
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Four independent 1/4-inch headphone outputs, each with its own front-panel volume knob.
Monitor Outputs (1/4-inch TRS, L/R)
Where you connect speakers, or send the finished mix to another device.
tip: Use balanced TRS cables to avoid electrical hum. Enable 'Automatically Mute Outputs' so speakers cut when faders go up, preventing feedback in a live room.
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Two balanced 1/4-inch TRS outputs for a stereo pair of speakers or for feeding external recorders/broadcast gear.
microSD Card Slot
This is where your recordings are saved — no computer needed.
tip: Use a Class 10 or faster card (SanDisk Ultra Plus/Extreme are recommended) and format it in the unit before first use. Multitrack recordings are large, so pick a high-capacity card.
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Slot for a microSD card that stores recordings; the screen shows remaining time and turns the card icon green when ready.
USB-C Output
The single cable that links the unit to your computer for recording, streaming, or configuring it.
tip: Use the included USB-C to USB-A cable, or the SC17 cable if your computer only has USB-C. For comms apps like Zoom, always set the app to 'RODECaster Pro Stereo' — 'Multichannel' will cause a feedback loop for your guest.
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USB-C port that connects to a Mac or PC for recording, streaming, MIDI control, and the Companion App; appears as 'RODECaster Pro Stereo' or 'RODECaster Pro Multichannel.'
What it is
The original 2018 all-in-one podcast studio with four XLR inputs, eight programmable SMART pads and a small color screen.
The RØDECaster Pro is an all-in-one podcast production console — think of it as a small radio-station mixer designed so one person can run a whole show without an engineer. It has four XLR microphone inputs (for you and up to three in-room guests), plus dedicated channels for bringing in remote people or audio from a phone, a Bluetooth device, and a computer over USB. Eight programmable sound pads let you fire off intro music, stings, and sound effects like a DJ. It records straight to a microSD card so you never even need a computer, though it doubles as a full USB audio interface when you do.
Sound-wise, it's built to make voices sound broadcast-ready with almost no effort. Each mic channel has voice presets and one-button processing (compressor, de-esser, noise gate, high-pass filter, plus the famous APHEX Aural Exciter and Big Bottom effects) that add polish, clarity, and warmth. If you want to dig deeper there's an 'Effects Edit Mode' that unlocks full manual control of every processor.
It's aimed at podcasters, but musicians, streamers, and anyone doing live talk content will find it just as useful. Everything is driven by a colour touchscreen and a row of physical faders, so mixing feels immediate and hands-on rather than buried in menus.
First session: get a sound out of it
- 01Plug the power adaptor into the back and lock the connector so it can't pull out, then connect a wall outlet. Insert a microSD card into the slot on the back, and plug your headphones into the 3.5mm jack on the front.
- 02Mount your mic, run an XLR cable from it into input '1' on the back. Switch on the wall outlet, then press the red power button on the back to turn the unit on.
- 03Push the Channel 1 fader up to the fifth line from the top (this is 'unity gain,' a good starting point). Turn the Channel 1 headphone knob up to about halfway.
- 04Press the numbered '1' button above the fader to open Channel 1's settings on the touchscreen. Tap 'Microphone' and pick your exact RØDE mic, or choose 'Dynamic' or 'Condenser' if yours isn't listed.
- 05Tap the back arrow, then tap 'Level.' If you're using a condenser mic, switch on phantom power here. Talk at a natural volume and adjust the + / – buttons until the meter hovers in the two-green-bar zone. Tap 'Home.'
- 06Repeat steps 3–5 for any guest mics. When ready, press the large REC button — a timer starts counting. Press REC again to stop. You've recorded a podcast.
How the sound flows
Sound enters through one of four sources: the XLR mic inputs on the back (channels 1–4), the smartphone jack, the Bluetooth radio, or the USB connection to a computer. Each mic input first hits its gain/level stage (set on the touchscreen, not the fader), where phantom power is applied for condenser mics and the voice preset is chosen. From there the signal passes through that channel's processing chain — high-pass filter, noise gate, de-esser, compressor, and the APHEX exciter/Big Bottom effects — shaping the tone before you ever touch a fader. After processing, each channel arrives at its physical fader on the front, which sets how loud it sits in the mix. All channels are then summed together into the main mix, which passes through an optional master compressor for final 'glue.' That main mix feeds three places at once: your recordings (microSD card and/or USB to a computer), the monitor speaker output, and the four headphone outputs. Mix-minus feeds are automatically created for the smartphone, Bluetooth, and (optionally) USB channels so remote callers hear everyone except themselves, preventing echo. Note that by default the recorder captures audio 'pre-fader,' meaning fader moves aren't baked in unless you switch to Post-Fader mode.
Questions owners actually ask
Why can't I hear anything through my headphones or the podcast playback?+
The most common cause is an accidentally engaged solo button — solo isolates a single channel in the host's headphones only. Check that no solo buttons are lit. Also confirm the host headphones are in Output 1 or the front 3.5mm jack (solo/mute only work there), that the relevant faders are up, and that the sound pads fader is up if you're testing pads.
What's the difference between gain (Level) and the fader?+
Gain, set on the touchscreen's 'Level' menu, decides how strongly the mic signal is amplified so your voice is loud enough without distorting — aim for the two-green-bar zone while speaking normally. The fader on the front only balances how loud that channel sits in the final mix. Set gain first, then use faders for live mixing.
Can I use a USB microphone?+
No. The RØDECaster Pro only accepts XLR microphones on inputs 1–4. USB mics like the NT-USB Mini won't work. Any XLR dynamic or condenser mic is fine; condensers need phantom power switched on in the Level menu.
Should I record in stereo or multitrack?+
Stereo sums everything into one ready-to-upload file — smallest, simplest, fastest. Multitrack saves every channel separately (a 14-track polyWAV) so you can fix individual voices, remix, and add processing in a DAW later. Choose stereo for speed, multitrack for editing flexibility. Enable multitrack under Settings > Advanced > Audio > Multitrack.
My multitrack recording ignores all my mixing — why?+
By default the unit records 'pre-fader,' meaning fader moves aren't baked in (a safe, non-destructive approach that lets you re-mix later). Processing is still applied. If you want fader positions and effects included, switch on 'Post Fader' in the Multitrack menu. To get a completely clean, unprocessed capture, also enable 'Bypass Audio Processing.'
How do I keep remote callers from hearing an echo of themselves?+
That's what mix-minus does. It's automatic for the smartphone and Bluetooth channels. For the USB channel (Zoom/Skype/Discord) you must turn it on manually: Settings > Advanced > Audio > Processing > USB Mix-minus. Also set the comms app to 'RODECaster Pro Stereo,' not Multichannel.
How do I talk to a guest privately before bringing them on air?+
Use Producer Mode. Press both the solo and mute buttons on the host channel (Channel 1) and on the comms channel you want to reach — both icons turn orange — then bring up those faders. You can now chat off-air without it being recorded to the main mix. Great for prepping guests during a music bed.
How do I record my own custom jingles and sound effects onto the pads?+
In the sound pad menu, tap a pad and use 'Clear' then 'Record' — whatever plays through the main output gets captured to that pad, from a short sting to a full 20-minute segment. 'Overdub' layers new audio on top of what's there, letting you build intros from music, voice, and effects. You can also load and back up sounds via the Companion App over USB.
The official manual
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Ask anything about the RØDE RØDECaster Pro — “how do I sync it to my DAW?”, “why is there no sound?”, “what does the weird button combo do?” — and the AI answers from the official manual.